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Darrera modificació: 2009-03-21
Bases de dades: Sciència.cat, Altres
Croenen, Godfried - Ainsworth, Peter (eds.), Patrons, Authors and Workshops: Books and Book Production in Paris around 1400, Lovaina - París - Dudley, Peeters (Synthema, 4), 2006, xxii + 548 pp.
- Resum
- "Patrons, Authors and Workshops" invokes a cross-disciplinary approach to the study of late medieval books and book production in Paris, from the troubled years of the early fifteenth century onwards. It shows the extent to which such activity was able to flourish even against the backdrop of the endemic struggle between Burgundians and Armagnacs, or the subsequent English invasion which led to Agincourt and the regency of Bedford. Extensive coverage is given to the key role played by the stationer or librarius, to the author as scribe or copyist (Christine de Pisan, Jean Lebegue), and also to the development of commercial production under figures such as Jean Trepperel. A section on bibliophiles and their various commissions leads into a group of essays that focus on particular texts and authors, whilst a further section concentrates on what we can discover about the role of the scribe. The volume concludes with four essays offering insights into the work of particular artists and illuminators. The authors include scholars from the UK, France, Greece, Germany, Italy, the Netherlands and the USA. Godfried Croenen is Lecturer in French at the University of Liverpool. Peter Ainsworth is Professor of French at the University of Sheffield.
Contents:
- Introduction
Godfried CROENEN, Patrons, Authors and Workshops: Books and Book Production in Paris around 1400 / 1
- Part I. Libraires and commercial book production
Kouky FIANU, Métiers et espace: topographie de la fabrication et du commerce du livre à Paris (XIIIe–XVe siècle) / 21
Richard H. ROUSE, Pierre le Portier and the Makers of the Antiphonals of Saint-Jacques / 47
Mary A. ROUSE, Archives in the Service of Manuscript Study: The Well-Known Nicolas Flamel / 69
Hilary MADDOCKS, The Rapondi, the Volto Santo di Lucca, and Manuscript Illumination in Paris ca. 1400 / 91
Stéphanie ÖHLUND-RAMBAUD, L’atelier de Jean Trepperel, imprimeur-libraire parisien (1492-1511) / 123
- Part II. Bibliophiles: their collections and their commissions
Gilbert OUY, Jean Lebègue (1368–1457), auteur, copiste et bibliophile / 143
Anne D. HEDEMAN, Making the Past Present: Visual Translation in Jean Lebègue’s “Twin” Manuscripts of Sallust / 173
John LOWDEN, Beauty or Truth? Making a Bible Moralisée in Paris around 1400 / 197
- Part III. Authors and texts
Janet F. VAN DER MEULEN, Simon de Lille et sa commande du Parfait du Paon. Pour en finir avec le Roman de Perceforest / 223
Silvère MENEGALDO, Les relations entre poète et mécène dans La Prison Amoureuse de Jean Froissart / 239
Alberto VARVARO, Problèmes philologiques du livre IV des Chroniques de Jean Froissart / 255
Röhl (2006), "Le Livre de Mandeville à Paris ..."
James LAIDLAW, Christine de Pizan: the Making of the Queen’s Manuscript (London, British Library, Harley 4431) / 297
- Part IV. Scribes
Margaret CONNOLLY and Yolanda PLUMLEY, Crossing the Channel: John Shirley and the Circulation of French Lyric Poetry in England in the early Fifteenth Century / 311
Emilie COTTEREAU, Les copistes en France du Nord autour de 1400: un monde aux multiples visages / 333
Maria KALATZI, Georgios Hermonymos: a Greek Scribe and Teacher in Paris / 355
- Part V. Artists and illuminators
Holbrook (2006), "The properties of things and ..."
Heidrun OST, Illuminating the Roman de la Rose in the Time of the Debate: The Manuscript of Valencia / 405
Catherine REYNOLDS, The Workshop of the Master of the Duke of Bedford: Definitions and Identities / 437
Jenny STRATFORD, The Illustration of the Songe du Vergier and some Fifteenth-Century Manuscripts / 473
- Matèries
- Història del llibre
Història de la cultura
Codicologia
- Notes
- Fitxa de l'editor: http://www.peeters-leuven.be/boekoverz.asp?nr=8022
- URL
- http://books.google.com/books?id=ohExpvMMXF4C&hl=ca (previsualització)
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