| Darrera modificació: 2012-11-04Bases de dades: Sciència.cat
 Ranković, Slavica [amb la col. de:] Brügger Budal, Ingvil - Conti, Aidan - Melve, Leidulf - Mundal, Else, Modes of Authorship in the Middle Ages, Toronto, Pontifical Institute of Medieval Studies (Papers in Mediaeval Studies, 22), 2012, viii + 428 pp. 
ResumThe articles in this volume are geared towards reopening the debate concerning who should be credited with creativity – the talented individual, tradition/society, or the creative process itself. The products of medieval culture, with their own dynamics of networked authorship and narratives that often precede their tellers, provide a uniquely rich resource for anyone attempting to conceptualise authorship today.
 Contents:
 * Slavica Ranković / Introduction · 1
 -- Part One. Models of Authorship, Authoring of Models · 15
 * Atle Kittang / Authors, Authorship, and Work: A Brief Theoretical Survey · 17
 * Michael D.C. Drout / «I am large, I contain multitudes»: The Medieval Author in Memetic Terms · 30
 * Slavica & Miloš Ranković / The Talent of the Distributed Author · 52
 -- Part Two. Medieval Authorship: Theories and Practices · 77
 * P.M. Mehtonen / The Apophatic First-Person Speaker in Eckhart's Sermons · 79
 * Farkas Gábor Kiss / «Communis quidam bonae doctrinae thesaurus»: Authorship and Inspiration in Late Medieval Commentaries in Central Europe on the Book of Psalms · 97
 * Sigbjørn Olsen Sønnesyn / Obedient Creativity and Idiosyncratic Copying: Tradition and Individuality in the Works of William of Malmesbury and John of Salisbury · 113
 * Leidulf Melve / «... to distil the excellence of their genius»: Conceptions of Authorship in Eleventh- and Twelfth-Century Polemical Literature · 133
 * Mia Münster-Swendsen / Irony and the Author: The Case of the Dialogues of Lawrence of Durham · 151
 * Greti Dinkova-Bruun / «Corrector Ultimus»: Aegidius of Paris and Peter Riga's Aurora · 172
 * Margareth Hagen / In a Quest for the Author in the Universe of Orlando Furioso · 190
 -- Part Three. Modes of Authorship in Old Norse Literature · 209
 * Else Mundal / Modes of Authorship and Types of Text in Old Norse Culture · 211
 * Gísli Sigurðsson / Poet, Singer of Tales, Storyteller, and Author · 227
 * Sverrir Tómasson / Hǫfundr–Skáld: Author, Compiler, and Scribe in Old Norse Literature · 236
 * Bernt Øyvind Thorvaldsen / The Eddic Author: On Distributed Creativity in The Lay of Þrymr and Skírnir's Journey · 251
 -- Part Four. Scribes, Redactors, Translators, and Compilers as Authors · 265
 * Aidan Conti / Scribes as Authors, Transmission as Composition: Towards a Science of Copying · 267
 * Jonas Wellendorf / Scriptorial Scruples: The Writing and Rewriting of a Hagiographical Narrative · 289
 * Ingvil Brügger Budal / Visible Stratification in a Medieval Text: Traces of Multiple Redactors in a Text Extant in a Single Manuscript · 309
 * Svanhildur Óskarsdóttir / The Resourceful Scribe: Some Aspects of the Development of Reynistaðarbók (AM 764 4to) · 325
 * Emily Lethbridge / Authors and Anonymity, Texts and Their Contexts: The Case of Eggertsbók · 343
 -- Part Five. Medieval Authorship: Arts and Material Culture · 365
 * Henrik von Achen / Image-Making Between Conventionality and Innovation: The Medieval Artist and the Conditions of Authorship · 367
 * Kristel Zilmer / Monumental Messages and the Voice of Individuality and Tradition: The Case of Scandinavian Rune Stones · 389
MatèriesHistòria de la culturaHistòria de la literatura
 Metodologia
 |